【新唐人2011年9月30日訊】中共文革樣板戲“紅色娘子軍”在美公演，引起了海外人權組織和民運人士的反感。美國洛杉磯人權組織和民運人士在網上發起聯署抵制行動。有學者認為，中共利用藝術形式，宣傳共產主義思想，是在推銷它的紅色垃圾。請聽專家的分析。
中國芭蕾舞團在美國華府「肯尼迪藝術中心」舞臺演出，上演的節目是中共文革樣板戲《紅色娘子軍》。演出引來了海外人權和民運人士的反感。
原北京大學法律系講師王天成表示，中共把文革時期的東西，拿到言論自由的美國來演，是一個荒唐的現象。
王天成：“你想，如果一個東西是在政治指導下產生的，它這個藝術品味到底有多少？它這個藝術會不會扭曲？我並不認為那些樣板戲有多麼高的藝術價值。這反應了中國國內思想的混亂。官方的話，就是思想的保守，抱著過去的東西還不放，利用這個東西。”
今年年初，大陸國家主席胡錦濤在美國訪問期間，中國鋼琴家郎朗在白宮國宴中演奏，曲目中竟出現一部「抗美援朝」背景的戰爭電影「上甘嶺」主題曲，事後遭到外界的質疑。
「21世紀中國基金會」創辦人楊建利：“如果中國是一個完全正常的國家，比如是民主國家，大家一個正常的交往的話，這個應該是不算是一個甚麼了不起的事情。關鍵要放到中共的背景裡看的話。中國（共）政府它是在利用自由民主的這麼一個條件，來這邊推銷它的紅色垃圾。”
哈佛大學政治經濟學博士楊建利還表示，如果中共可以推銷紅色垃圾，那其他國家也可以到中國演出，任何信息都應該是暢通的。但是，中共不是。
楊建利：“在很多地方，中國（共）政府限制它不喜歡的一種藝術形式，或者帶有它不喜歡內容的藝術表演，肯定是不能在中國上演的。最近有一些反映辛亥革命的劇也在香港被禁止上演。”
對於這次文革樣板戲“紅色娘子軍”在美國上演，《中國事務》網站和中國社民黨等多個組織和個人上網發起抵制行動。
耶魯大學學者康正果表示，美國是一個言論自由的國家，任何演出，政府和媒體都不會去反對。但是，現在中共把“紅色娘子軍”突然搬來美國上演，是重新添加文革極左的、毛左這方面的回潮流，對於在海外的華人是不能容忍的事情。
康正果：“大家都知道共產黨根本就沒打抗戰。所以，這個自從1949年以來塑造的這麼一個紅色的革命史，現在實際上已經是千瘡百孔，大家都知道很多虛假的東西。現在再次的泛起這麼一個紅色的這麼一個浪潮。只不過是很徒勞的想彌補這樣東西而已。”
雖然“紅色娘子軍”9月在美國演出已經結束了，但海外抵制行動會表示，抵制行動會繼續進行，直到《紅色娘子軍》終止海外巡演。
新唐人記者秦雪、唐睿、王明宇採訪報導。
China』s Revolutionary Operas Called 『Trash Culture』
The Red Detachment of Women, which was one of only eight
“model operas” permitted during the Cultural Revolution,
was recently performed at the Kennedy Center.
Chinese human rights organizations and democracy activists
in the United States were enraged, particularly those
in Los Angeles, who started an online signature campaign,
calling for a boycott of the Kennedy Center event.
Some scholars called the Chinese Communist Party (CCP) operas,
“trash culture,” suggesting that the CCP is using opera as
an art form to propagate communism.
On Sept. 22-24, the Chinese National Ballet performed
The Red Detachment of Women at the Kennedy Center in Washington, D.C.
The infamous opera is one of the “model operas” allowed
during the Cultural Revolution,
thus stirring up disgust among Chinese human rights and
democracy activists in the United States.
Former Peking University Law School lecturer, Wang Tiancheng,
said, “It』s ridiculous for a red show from the CCP』s Cultural
Revolution to perform in the United States,
where freedom of speech is protected.”
Wang Tiancheng: “It』s easy to imagine that political motives
would degrade and distort the artistic character of any work.
I don』t believe that there』s any true artistic value
behind those “model operas.”
The fact that there are some Chinese who feel that
these opera are somehow praiseworthy, reflects the chaotic thinking in the minds of Chinese people.
Talking about the CCP, it always gets stuck in the past,
thus it uses things from its past as the basis of its ongoing propaganda campaign.”
When President Obama hosted Chairman Hu Jintao』s visit to
the White House in January, the theme song for
the anti-American movie about the Korean War battle,
Battle on Shangganling Mountain, appeared on the play list of Chinese pianist, Lang Lang.
This event strongly calls into question the CCP』s attempt to
spread its propaganda in the United States.
Yang Jianli, founder of the Foundation for China in the 21st
Century, said: “If China were ruled by a normal government,
say a democratic one, this (event) would not attract much
attention under normal bilateral relationships.
However, relying on propaganda to keep its power,
the CCP regime is obviously taking advantage of Western
society』s belief in free speech, to sell its own trash culture.”
Yang Jianli, who earned his doctoral degree in economics
from Harvard University, said that if the CCP』s performances
are permitted in the democratic world,
then it follows that any performance or information from
democratic nations should enjoy free access into China.
However, the CCP would never allow this to happen.
Yang Jianli: “In China, there are a lot of restrictions on
the content of performing arts.
For example, the Shen Yun Performance, presented by
the Falun Gong group, is not allowed in China.
Some dramas about the Xinhai Revolution were also
banned in Hong Kong, recently.”
The China Affairs website and the Chinese Social Democratic
Party, along with some other organizations and individuals,
started an online boycott of the CCP』s “model opera”
performances in the United States.
Kang Zhengguo, a Yale University scholar, said that since
the U.S. government and media protect freedom of speech,
it does not try to stop any performance.
However, the fact that the CCP regime suddenly presented
its red show, The Red Detachment of Women,
in the United States, shows a clear comeback of Mao』s
ultra-leftism during the Cultural Revolution.
Overseas Chinese find this totally unacceptable.
Kang Zhengguo: “We all know that the CCP never fully
engaged itself during the Second Sino-Japanese War.
So the CCP』s history, as portrayed by itself after 1949,
is full of holes.
Since the CCP』s true history has been widely revealed,
it』s completely futile to try to resurrect the tide of 『red culture,』 which is based on lies.”
Although the September performance of The Red Detachment
of Women in the United States has ended,
the boycott of The Red Detachment of Women will continue
until the red opera stops touring outside of China.
NTD reporters Qin Xue, Tang Rui and Wang Mingyu
